Doc Watson, Paul Geremia, David Bromberg: Gaslight Café, New York NY

This article originally appeared on Billboard on September 27th, 1969

'Watsonia' Dazzles in 'Village'

NEW YORK — The Gaslight Cafe, once again under management that brought it to fame in music's folk era of the early 60's, open a dazzling array of musicians Sept. 10, highlighted by folk immortal Doc Watson.

Watson, who records for Vanguard, is still one of the mellower performers. Sprinkling his act with humor, which was surprisingly agile and funny, the blind guitarist played a collection of Watsonizations of countless old country hits including the late Hank Williams' 'Lovesick Blues' while interspersing his remarkable instrumental.

His unique picking had the audience constantly interrupting with cheers. With sly, self-aware remarks, he betrayed knowledge of his huge talent as he alternated sections showcasing his amazing speed with those where virtuosity was a servant to the music. Behind all the delightful gymnastics, he provided beautiful country music with a sensitivity to both humor and feeling.

He included, in his second set, both an a cappella Christian hymn and a satirical version of the old pop hit 'Shiek of Arabee', showing off his voice as well as his guitar. Watson's showmanship makes him far more than an esoteric attraction. The midweek, packed house was evidence of his loyal following but it is sad to think of the masses missing out on such a charming and talented performer.

Also on the bill was Folkway's artist Paul Geremia. Geremia displayed a beautiful, authentic combination of city and country styles. No teenager, he has a craggy appearance that resembles a retired boxer. Bleary-eyed but full of jokes, he played material which ranged from authentic versions of old ramblin' songs to articulate and emotional self-composed numbers from his new album Just Enough. His genuine folk background came out as he played a number on a steel National guitar.

Alternating easygoing and frantic styles, his voice and appearance betrayed a loveable scarred worldliness that indicated that he'd been to the places he sings about. His guitar and harmonica are excellent but secondary to his entertaining, freewheeling style.

Eric Francine and David Bromberg each played a short guest set, which created spontaneity without any letdown in talent. They are both hilarious performers and first-rate guitarists. Francine's specialty is straight-face city corn, which he combines with a penchant for songs about gamblers and a wild sense of humor. Bromberg, formerly With Jerry Jeff Walker, is a wordier Arlo Guthrie.

In Watson's second set which ended the long evening, he was joined by Bromberg on guitar, finishing the evening with some dazzling guitar duets.

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